Monday, March 4, 2013

Vintage Style Props


During my recent prop excursions, I've noticed an increasing amount of tabletop and kitchenware based on vintage designs and materials. By now you all know how I gravitate towards all the naturally created character imperfections in used vintage pieces, but I realize not everyone shares the same passion.  Certainly not every commercial client I work with, who can get a bit uncomfortable showing their food product on a stained cutting board or chippy plate!

European Bread Peels

Reclaimed Wood Serving Board
 
 
 
These  wood boards are actually the best of old and new.  They are created in old world baking peel style, using reclaimed woods from actual 19th century Bavarian dough boards. The serving board
is also made from reclaimed European pine.  They all have great character, but are still "cleaner" as the wood has been commercially finished.


White Enamel Baking Pans

Enamel Milk Pan
 

Enamelware Spoons
 
 


Enamelware, too is showing up in all forms and finishes.  Here is a nice set of baking pans in the traditional white with dark rim style.  Crow Canyon manufactures an amazing array of enamelware in solid and splatterware designs, everything from utensils to bakeware to cake pedestals.



Vintage Striped Chambray Linens


I recently purchased these vintage inspired chambray linens, and they are wonderful to work with on set.  The linen fabric is a great quality that will only improve with washing, drapes beautifully and I love the soft faded colors.


 
Vintage Style Wire Trivet
 
 
French Wire Inspired Cooling Rack
 
 
Vintage Inspired Wireware
 


Vintage wire cooling racks are also being reproduced in retail markets. There are many new ones available based on european wireware designs. So if the aging  is not something you are looking for, there are some good choices out there that still function as great baking props for a much lower price than older wire pieces.  I have offered many authentic antique wire baking racks through my Etsy shop, and have seen similar pieces being sold as vintage so be cautious when a piece is too pristine.  In fact, that is good advice when looking for any vintage kitchenalia with reproductions becoming more trendy!

Happy shopping, enjoy the links!


Paula




True Vintage
                                Justin B. Paris










Wednesday, January 30, 2013

New Life for an Old Cabinet

I bought this old cabinet a few years back, an absolute steal that I couldn't pass up.  It was a good 7 feet tall, and quite spacious inside, and I thought it would make fine storage for my props.  The problem was the shelves were spaced very far apart, it was too deep, and a little on the wobbly side.  I ended up having to pile props in large stacks, and unpile everytime I needed something from the bottom.


The cabinet seemed to be constructed of assorted woods, and I imagined it to be a make-do linen closet fashioned out of necessity for storage.  Far from a piece of fine antique furniture, or professional cabinetry, yet it held a certain charm.  But after a few years I decided it needed to be replaced with more functional shelving, but would harvest all the old wood to create surfaces for my photo projects.
The doors were nicely paneled, so I just removed the hinges.  Then I carefully tore the entire cabinet apart, removing every nail as I went along.  It took a few hours, but I ended up with a  HUGE stack of aged wood.  I don't consider much of it to be "camera ready", so I have enough projects to last me through the winter, for sure!  But I did get a few tackled that I can share with you.


The back of the cabinet was created of old tongue in groove, which I cut in half and then re-assembled into a long "wall".  The wood already had great patina, but I wanted to deepen it slightly.  So I sanded the panel by hand (you can see how it takes the gloss down and opens the wood surface) and rubbed in a rich red stain.


The side panels of the cabinet were the longest pieces, lots of great character as seen above.  I debated cutting them but decided against it as there are times a really long table surface is needed.  So I used an orbital sander to clean the boards a bit, and applied a few coats of  Danish dark walnut oil.  It really brought out the varied tones in the old wood.

 In the end, it's all about the look on camera, and the results were exactly what I was I hoping for.  Old wood has a depth to it, with all the scars and discoloration from years of use and abuse. The subtleties come alive in the beautiful light, adding dimension without distraction. Here's the end result from the tongue and groove wall

                                                             Justin B Paris

And the side panels which became the table surface:

                                                     Chris Litwin
 
                                                   
 
Who knows where the rest of the cabinet will turn up?!

 Paula





 

Thursday, August 9, 2012

Summer Garden



The garden is finally giving back. After months of watering and waiting, there are new and delicious fruits and veggies to be picked daily. The colors and textures of the backyard harvest can’t help but inspire a shot or two.



The fresh flavors are so true, so intensely good that they need little enhancement, just something snipped from the herb garden. Slice, chop, mix, done. Simple, cool eating in the hot summer: Cantaloupe and watermelon tossed with mint, vibrant tomatoes with basil, cilantro for a crisp cucumber salad.





Having a garden is also great incentive to experiment with new dishes. We have so many pumpkin blossoms that I think I'll try this recipe for Mexican Pumpkin Flower Soup.



When the pumpkins fully ripen in weeks to come, I have plans to make pumpkin butter. I was generously gifted with a copy of The Preservation Kitchen from Chicago photographer Jeff Kauck, the amazing talent behind the images in the book. Chef Paul Virant’s recipes for preserving are wonderful to start, then he guides you through using them as a basis for other recipes and seasonal menus. I am a less than accomplished cook myself, but there are many recipes within the book I know I can handle. The Pumpkin Butter (using roasted pumpkin) is definitely on my make list, along with the Fried Green Tomatoes with Basil Mayonnaise and the Tomato Jam to make use of the bumper crop I see coming. But today, a few of these gorgeous cantaloupes are destined for the Vanilla Melon Jam recipe






Can there be a better way to make the summer last?

Paula

Saturday, April 7, 2012

Styling WHO'S HUNGRY?

If you are a regular reader of Still*Life~Style, you have undoubtedly admired some of the images I have styled for food photographer Stephen Hamilton. Stephen is a true master of lighting, with the exceptional talent to create intimate images that are the benchmark for capturing taste appeal through food photography. In fact, this add says it all:



On that note, I am encouraging you to be a little naughty today, and take a peek at Stephen's first issue of WHO'S HUNGRY? the online magazine. I was extremely excited to style this early spring edition, and can tell you first hand that everything Stephen does, he does well. In support to the stunning images, you will find special recipes like this one for the Violette cocktail served at The Aviary




And feature articles, such as one on mustard, inspired by Stephen's recent work in Napa



The magazine also takes you behind the scenes for a look at life in a top food photography studio. I'm in the WHO'S HUNGRY? Stylist's Corner this issue, challenged by Stephen to bring spring moss to the table. Stop by and see what I came up with, without using moss at all!

Paula

Wednesday, November 16, 2011

Outside the Food Studio: Photographer Justin B. Paris

After a recent shoot, a group of us met for a light dinner and cocktails. It's always great to socialize outside the studio, the work day can be intense with little time to catch up. The funny thing is, undoubtedly the conversation turns back to some aspect of food. We are like the parents enjoying a night away from the kids, who can't seem to stop talking about the kids.

For many of my colleagues, food has a strong presence in their personal time as well. Just as I enjoy the relentless search for new prop inspirations, many people that I work with have passions related to their role in food photography.



Photographer Justin Paris is a perfect example. An incredibly talented food and still life shooter, (earlier this year I showed you some of the images we shot together in this post), Justin and his wife Andrea have a deep commitment to the farm to table movement. His blog, alimental prologue, is an intimate look at the farms just beyond this sprawling city. As so many of you are also of like mind about the food you consume, I asked Justin about their dedication to this way of eating, and the path it has led him down.




SLS: Justin, when did you first become involved with local food?

A decade ago my wife and I spent a few years living in northern California. Our entire food world changed there. We had access to foods that were previously unknown to us. We had fruit trees in our backyard, we planted a garden, I was vegetarian for a period of time. Our food philosophy has grown and evolved since then but that’s really when it began for us.






SLS: How challenging has it been to stay on track with the decision to eat local?

That depends on how you emphasize it. I think that it is important for us all to make changes in our lives that will not only better our own quality of life, but also those around us, especially our children. However, in making changes I have always believed that it’s a gradual process that takes many steps. You just can’t abandon everything at once and you can’t ignore the world that we live in. You can’t just give up all fossil fuels in a day or retrofit your house tomorrow to become “greener”. It’s not an achievable goal. It’s all about minimizing and moderation. The same is true with eating local. We have always been concerned about the foods that we eat. That was a foundation laid by our parents and for them by their parents. Because of that, our cabinets and fridge have never been filled with lots of processed foods. But they were still there and some still are. We just took a look at the types of foods that we were eating, where we were sourcing them, and changed what made the most sense for us. We still buy pretzels and tortilla chips, canned beans and tomatoes, avocados and citrus, cashews and coffee, and juice boxes for our little boys. But the kitchen is mostly just filled with ingredients now. When you get to that point, it really becomes easier to source locally. It will never be as convenient as grocery store shopping but it does become easier. We just threw a party for 30 family members at our home. The menu was four homemade soups and three homemade breads. We planned seasonally and sourced as much as possible from our local farmers but the reality of the menu made it necessary to shop at a conventional grocery store as well. We could easily get the meats, butter, flour, eggs, popcorn, fruits and vegetables that we needed from the farmers market. But we needed yeast, salt, lentils, beans, and lots of broths. It’s a process. Our approach has been to do as much as we can as often as possible. And in all honesty it’s the quality of the food keeps bringing us back.






SLS: What's going into your garden next year?

I am so excited for the next growing season. This year we grew some things that we had not in the past and realized that we needed more space to grow all the things we want. I just finished adding almost 200 square feet of vegetable beds. With luck we will be planting in half of that next season and the rest by the following year. We also added a huge wildflower garden. Combined we managed to remove over 500 square feet of grass from our yard. This season I rescued and planted two blueberry bushes and next year we will transplant raspberries from my in-laws’ yard. The current plan is for chard, kale, carrots, garlic, onions, basil, thyme, oregano, cilantro, cucumbers, tomatoes, squash, jalapenos, poblanos, eggplant, broccoli, and maybe watermelon. Our oldest son loves planting, watering and harvesting and our little one will be trying some of those things for the first time. It’s almost silly how excited I am about it.





SLS: As I read alimental prologue, I sense a very deep and genuine respect for the people who work the farms and fields you visit. What insight have you gained about their way of life?

I am so glad to hear that that comes through to the viewer. I go to these farms to create images but I also want to tell a story. Over the past year I have spent a lot of time at markets and farms just talking to the producers. Every one wants to talk about what they do. They’re all proud of their processes, their successes, and even their failures. Growing food is not easy. And making a living at it is even harder. You can see that on a farmer’s face. But you can also see how much they love doing it. It’s important for them that they do. Farming is in their soul. I don’t think you see that kind of dedication just anywhere. How can you not want to support that? These are good people doing good things. And working really damn hard for not much monetary reward.





SLS: As a society we tend to disconnect with where our food comes from. Thoughts about the livestock farms?

As a species we do a lot of things that don’t make sense. It doesn’t matter what we are talking about, it’s not specific to our food system. We never fix the core problem we just come up with solutions to solve the short-term issue. It’s sad. Commercial feedlots serve our insatiable appetite for meat. They were the short-term solution. The core issue is how we view consumption and waste. But tackling that won’t make a corporation wealthier. The thing that I love about sourcing our meat locally – which we now do exclusively – is that the farmers that raise these animals really care about how it’s done. Sure, they need to make a profit, but never at the cost of compromising their philosophies on health, sustainability, and animal welfare. When the philosophy is most important, the result is a far superior product.



SLS: You always come away with such beautiful shots. What kind of reaction do you get from the farmers when they view the images?

My hope is that they value my work in the same way that I value theirs. So far the results have been positive.




SLS: What is the personal mission behind your blog?

I really wanted to make beautiful images. There never was a plan to blog. It all began as a personal assignment to build a catalogue of farm photography. But after my first trip to Hasselmann Family Farm the whole motive changed. It became about knowledge and understanding. And about sharing. It suddenly switched over to personal motivation rather than business motivation. It’s still certainly applicable to my photography business but the motivation has become much more philosophical. The whole process has made me feel more complete as a person.

SLS: Thank you, Justin, for taking time out to share your thoughts and photography. We'll be following you through the farms and fields on alimental prologue!

I'll be introducing you to more of the amazing people I am fortunate to have as co-workers and friends. They are truly a source of daily inspiration.

Tuesday, November 8, 2011

Winter Blues

I don't really have a favorite color, but blue has never been high on the list. There is not a room in my house with even a hint of blue. Lately, though, it has been showing up more in my styling and props. I have been craving certain blues, winter blues, intense and sometimes odd shades that have a richness on camera.

There's hints of it showing up in some of my more rustic pottery and wood backgrounds, splashes of blue glazes,paints and stains that play against weathered browns and grays. Washes of blue in hammered,transparent and frosted glass pieces.



Blue is the reason I bought this silly vintage dog glass, I guess.

It has me looking at props that I normally would pass up, busy antique patterns to explore. Flow blue,cobalt,indigo, woad... blues so deep they look forest green or black in certain light. They are all on my radar these days.



I've been experimenting with different tones and layering blues with teal and black.




Found these in my vintage fabric stash. Funky Japanese print cotton and this intense blue fabric that is not quite cheesecloth and not quite tulle netting. It is kind of interesting over another surface & tone, adds another dimension. I'll have to come back to this later!



In the end, color can be a powerful propping element when it is in the right light and setting. What color is your world these days?

Paula

On Camera with Photographer Chris Cassidy: from the deep blue sea

Sunday, October 23, 2011

Back to Blogging!

It has occurred to me that we have moved from one season to another since the last time I was able to post here! Time seems to move so quickly, the days melt from one into another, and soon a week has gone by, then a month. Then two months. Is it like that for you, too?

It's serious catch up time now and I have some interesting things in the works for this blog, so please stay tuned as I try to get back on track. I've found some great props and surfaces to show you, and have been adding new items to the Still*Life~Style shop. Thanks to all of you who have stopped by Etsy! I must say it is very exciting to see some of my prop finds making their way into my favorite blogs, blending seamlessly into each photographers' personal style and vision. Here are some perfect examples that you may have already been admiring:

Helene Dujardin's Roasted Pepper and Ricotta Tart, recipe in this recent post on Tartelette, those wonderful veggie colors popping off a SLS rustic cutting board. Looks great layered on her paint smudged wood surface.


photo copyright Helene Dujardin


Celine Steen and I share the same weakness for vintage paper straws, small jars and simple bottles. I always come away from have cake, will travel with a great recipe and a good laugh!


photo copyright Celine Steen


photo copyright Celine Steen

Meeta Wolff was able to incorporate lots of the props I sent for the Plate to Page Weimar workshop into her posts at What's for Lunch, Honey? I think the shots look wonderful, she has such a great feel for color placement! By the way, Meeta and team are currently into their second workshop in Tuscany and working on putting together number three in the UK. You can follow them here, and check out the post I wrote for them about commercial photo assignments.


photo copyright Meeta K. Wolff


photo copyright Meeta K. Wolff



photo copyright Meeta K. Wolff

Hope to have more of these images to share with you soon. I have had some very talented prop stylists come through the shop, and it's always interesting to see how other stylists "see" the props differently. New things are always coming my way (I shop a lot faster than I post, evidently!), contact me through my website at chicagophotostylist.com for prop sourcing requests.

Paula
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